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Netflix, YouTube, the major social networks, and scores of new digital brands may have started small, but they’re quickly becoming the dominant feeds in the lives of tens of millions. By offering consolidated, single-input access to all television networks, MVPDs ensure that consumers can change feeds with the mere click of a button and almost no interruption in the consumption experience. The scale feed operating model will be highly distinct from those of today’s television networks. While the programming decisions of linear television networks inevitably capped their addressable audience (i.e., if you run a reality series at 8-9 pm, you’re unlikely to get those who hate reality series), scale feeds can and must target all video lovers. In a subscription environment, it doesn’t matter if the customer is a teenager, her mother, or her grandmother (just ask Les Moonves if he cares who pays $5.99 for CBS All Access - or even Philippe Dauman with Nickelodeon’s Noggin’). He does not pity or feel sorry for his party leader, Nick Clegg, who has become the most widely ridiculed national politician.

Among the three models, the scale feed will be the spiritual successor to today’s TV experience, though it will feel more like Pay TV overall than any single Pay TV network. "While Netflix will get more attention from adult series such as House of Cards and Arrested Development," Netflix Chief Content Officer Ted Sarandos told USA Today in 2014, "the kids arena is incredibly strategic to us." In fact, this category is so important that it receives not only its own dedicated section and interface on Netflix, but an exemption from the company’s much-marketed binge release model. Furthermore, Netflix’s single largest original content investment to date was not House of Cards or even Marco Polo - but 300 hours of brand-new cartoons from DreamWorks Animation. Nowhere is this made clearer than with Netflix’s Originals. While the primary input will be cost-per-minute watched (Netflix’s favorite KPI), decisions will be informed by softer engagement metrics, such as the pace of viewer consumption (how quickly a season was watched), whether viewing was correlated with reduced churn and/or increased consumption, and how it affected subscriber additions. For some time in the early 1990s, the Mac was a primary client on the rapidly expanding Internet.

At the rate of 45.45 (±0.5%) baud - considered speedy at the time - up to 25 telex channels could share a single long-distance telephone channel by using voice frequency telegraphy multiplexing, making telex the least expensive method of reliable long-distance communication. DMX512 is a standard for digital communication networks that are commonly used to control lighting and effects. CAN FD is compatible with existing CAN 2.0 networks so new CAN FD devices can coexist on the same network with existing CAN devices. Although non-standard, micro-B to micro-A receptacle adapters are widely available and used in place of the mandated micro-AB receptacle on these devices. The existing television giants are actually far better positioned to compete as a scale feed (or "Netflix competitor") than most believe. The end of traditional television has begun. For millions, the television has actually become the "second screen" experience - it’s the mobile phone that most engrosses during the likes of The Voice, The Walking Dead, and Empire.

In a linear environment, this seemingly schizophrenic strategy would actually erode the feed experience and undermine all scale-related advantages. Key to achieving this scale is the ability to "be all things to all people" - an experience that depends on both an immense library and robust personalization capabilities. The high power of electric locomotives also gives them the ability to pull freight at higher speed over gradients; in mixed traffic conditions this increases capacity when the time between trains can be decreased. Thanks to its ability to reduce subscriber churn, children’s content is particularly important. The streaming site counts nearly 45M subscriptions in the United States alone (making it just under half the size of the Pay TV ecosystem), and the average account watches an astounding two hours of content each day (making it not just the most watched television "network", but larger than any television group’s consolidated cable portfolio). Just as cable feed dynamics meant that every additional minute watched made the next minute easier to acquire, each minute lost has and will continue to lubricate the next. Not all US jurisdictions permit use of non-metallic sheathed cable. Cat5 cable, commonly used for networking and telecommunications, has been tested by ESTA for use with DMX512A.

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